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One of the major significances of this vase is the way the cracks have been handled. Mark began "relieving" cracks (the natural checks that occur during drying) in the early 70's by hand carving and sanding them. The effect was a "Kanji - like" (Japanese calligraphy characters) design aspect which is integral to the design of the piece. It is part of an overall design philosophy that Melvin has developed (and historically implemented) to accept all the irregularities of the wood (including worm holes) as being meaningful and critical to the design. This piece is packed with exquisite wood, flawless form, imaginative style, and "the serendipity of nature." Robert Hobbs has said that "...(Melvin) has naturalized culture and aculturated nature in his natural edge pottery shard vase forms...."
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